In 2008, I wrote an article for InformationWeek, “Learn to Play Guitar Online,” in which I reviewed GuitarTricks.
Looking to improve as a guitar player, I recently signed up for the service again. And so early this afternoon, I sat down to do what I thought would be a simple, easy review of how to play the blues scale. Eventually, I started fast-forwarding through the lessons, as I already knew how to hammer, slide and bend notes all up and down the backing tracks. Or so I thought.
And then, in part a lesson on Basic Standard Blues Licks, I was floored by something that should have been become obvious to me at some point during 25 years of noodling around on a guitar.
You see, I thought I knew how to bend a note. You simply press a fret with one finger of your left hand, play the string with your right hand, and then push up (or pull down) the string to raise the pitch. But I had always found it somewhat difficult to bend the notes up the neck where the strings are tighter. What never occurred to me, and what I learned today, is that you can use more than one finger to bend a note. You can use two fingers, or three if you like. Four’s possible, but you’ll probably need a finger in reserve for the next note.
What had happened is that I had always compartmentalized the role of each finger when playing a melodic line. One finger, one note. And while that one note was playing, it was the job of the other fingers to get ready for their designated notes.
Now that my other fingers are finally aware that they have to pitch in, I can bend more notes, for longer durations, across larger intervals, and at positions higher up on the neck than I had thought possible.
There has gotta be an inspirational metaphor in here somewhere.

